30 October 1784

Lausch advertises Die Entführung aus dem Serail for Harmonie

Wiener Zeitung, No. 87, Sat, 30 Oct 1784, 2470

⁣⁣                   Il Re Teodoro in Venezia,
                  Opera
des Herrn Paisiello,
aus welcher die schönsten Arien beym Clavier
 zu singen in meinem Verlage um beygesetzte
                    Preise zu haben sind:
[...]
Die ganze Opera in der Spart, 46 fl.
Cimarosa Giannia e Bernardone.
[...]
                Opern auf Harmonie gesetzt:
Paisiello, der Barbier von Seviglia, 5 fl. 30 kr.
——— das Gärtnermädchen, 5 fl.
Gluck, die Pilgrimme von Mecca, 5 fl.
Mozart, die Entführung aus dem Serail, 5 fl.
Sarti, wenn zwey sich zanken &c. 5 fl. 30 kr.
              alle 8stimmig.
Die ganze Opera auf das Clavier, 20 fl.
            Liebhaber können auch Arien einzeln
               daraus haben.
Gretry, Zemire und Azor, 6 stimmig, 4 fl.
                 Ingleichen folgende:
[...]

                                          
Laurent Lausch,
                            Musikalienverleger in der
                            Kärntnerstrasse Nr. 1085
                            den 3 weissen Rosen über.

Wiener Zeitung, 1784-10-30a
Wiener Zeitung, 1784-10-30b

Commentary

This previously overlooked advertisement in the Wiener Zeitung on 30 Oct 1784 by music dealer and copyist Lorenz Lausch offers an arrangement for eight-part Harmonie of Mozart’s Die Entführung aus dem Serail. Lausch had already advertised such an arrangement in the Wiener Zeitung on 10 Jul 1784, where it was explicitly attributed to Johann Nepomuk Went, oboist in the orchestra of the Viennese court theater and a member of the Harmonie band of Emperor Joseph II (Dokumente, 201; a facsimile of the advertisement of 10 Jul is included in our entry for 8 Jul 1784). The arrangement of Entführung advertised by Lausch on 30 Oct 1784 is almost certainly still Went’s, even though it is unattributed.

The advertisement of 30 Oct 1784 also includes arrangements for Harmonie of Paisiello’s Il barbiere di Seviglia, Gluck’s Die Pilgrimme von Mecca, Sarti’s Fra i due litiganti il terzo gode (“Wenn sich zwey zanken, freut sich der dritte”), and Grétry’s Zemire und Azor. The headline of Lausch’s advertisement refers to Paisiello’s Il re Teodoro in Venezia, which had been commissioned by the court theater in Vienna, and had been premiered there on 23 Aug 1784. On Paisiello’s sojourn in Vienna that year, see our entry “Paisiello and Idomeneo.”

On Lausch, see Edge (2001, 2075–88) and the summary in our entry for 8 Jul 1784 regarding Lausch’s advertisement in Das Wienerblättchen on that date. For other advertisements by Lausch on our site, see our entries for 22 Aug 1789 and 9 Oct 1790.


Notes

Lausch’s advertisement in the Wiener Zeitung on 30 Oct 1784 was repeated on 3 Nov 1784. In both cases, Lausch’s advertisement is printed immediately following an advertisement by Johann Traeg that had first appeared in the Wiener Zeitung on 27 Oct 1784, an advertisement that also includes pieces by Mozart (NMD, 33; Neue Folge, 33).


Bibliography

Edge, Dexter. 2001. “Mozart’s Viennese Copyists.” Ph.D. diss., University of Southern California. [academia.edu]


Credit: DE

Author: Dexter Edge

Search Term: mozart

Categories: Advertisement

First Published: Sat, 27 Jan 2024


Print Citation:

Edge, Dexter. 2024. “Lausch advertises Die Entführung aus dem Serail for Harmonie (30 October 1784).” In: Mozart: New Documents, edited by Dexter Edge and David Black. First published 27 January 2024. https://www.mozartdocuments.org/documents/30-october-1784/

Web Citation:

Edge, Dexter. 2024. “Lausch advertises Die Entführung aus dem Serail for Harmonie (30 October 1784).” In: Mozart: New Documents, edited by Dexter Edge and David Black. First published 27 January 2024. [direct link]