Leopold and Wolfgang left Milan on 15 Mar 1770. They had been in the city just over seven weeks, during which time Wolfgang had been taken under the wing of Count Carlo di Firmian. (On Firmian and Mozart, see our first entry for 4 Apr 1770). Following brief stops in Parma and Modena, father and son arrived in Bologna on 24 Mar, remaining there for five days. They had with them a letter of recommendation from Firmian to Count Gian Luca Pallavicini-Centurione, who presented Mozart at a concert in his residence on 26 Mar. This letter and concert have long been known to Mozart scholars (Dokumente, 100–101; on Pallavicini, see our entry for 27 Dec 1769).
The Mozarts evidently also had with them a letter of recommendation from Fimian to Count Giacomo Marulli (1729–1799). Although this letter of recommendation is lost, its existence is implied by the newly discovered letter transcribed above: Firmian’s response to Marulli’s (lost) reply of 28 Mar to Firmian’s (lost) original letter of recommendation.
Marulli’s name appears in Leopold’s travel notes for Bologna directly after his entry for Pallavicini and Pallavicini’s household:
S: E: C: Ballavicini Sgra Consorte, figlio, e figlia Maritata [...]
C: Marulli e la Siga Conteßa [...] [Briefe, i:330]
His Excellency Count Pallavicini, His wife, son, and married daughter [...]
Count Marulli and the Countess [...]
Marulli’s wife (“la Signora Contessa”) was Countess Camilla Boccadiferro-Marulli, whom Giacomo had married on 30 Apr 1752. Camilla was the daughter of Maria Caterina Fava Ghislieri and her first husband Count Camillo Boccadiferro, who had died in 1734. Count Gian Luca Pallavicini was Maria Caterina’s third husband; thus Camilla’s mother is the “Sgra Consorte” in Leopold’s entry. Maria Caterina’s other daughter with Count Boccadiferro (thus Camilla’s sister) was Countess Girolama Boccadiferro-Legnani Ferri, probably the “figlia Maritata” in Leopold’s entry. (On the Boccadiferros, see the genealogy here; on Camilla and Girolama, see also Caracciolo 2006a and 2006b.) Marulli’s name appears nowhere else in the Mozart family correspondence and its appearance in Firmian’s letter above is its first in any other Mozart document.
Marulli seems to have received no scholarly attention. The most detailed biography we have found is the amateur website Nobili Napoletani (not updated since 2007), on the page “Famiglia Marulli,” our principal source here.
Giacomo Marulli was born on 6 Feb 1729 in Barletta in Apulia, the son of Count Troiano Marulli (1685–1755). Giacomo is said to have been brought to Bologna at the age of 11 by his great uncle, Field Marshal Count Francesco Saverio Marulli (1675–1751). Young Marulli was educated in Bologna and eventually made Francesco Saverio’s heir, on the condition that he marry a suitable girl from Bologna—which he did in 1752: Camilla Boccadiferro (see this poem in honor of their marriage). The couple had no children. During his lifetime Giacomo acquired a variety of titles, including imperial chamberlain and Knight of the Military order of St. Stephan. In 1767, Archduke Leopold, Grand Duke of Tuscany (and brother of Emperor Joseph II), named Giacomo his representative to the papal legations in Bologna, Ferrara, and Romagna (see the report in the Wienerisches Diarium on 9 May 1767). Following a life that left relatively little public imprint, Giacomo Marulli died in Venice on 12 Sep 1799 at the age of 70.
The few references we have found to Marulli nearly all pertain to his status as a person in Bologna with connections to the imperial family. Casanova, escaping a difficult situation in Florence, sought out Marulli in Bologna at the end of 1770 to convey a message to Grand Duke Leopold:
[...] Je suis parti de Florence moins riche d’une centaine de sequins ; je n’avais fait aucune dépense, j’y ai enfin vécu en sage. Je me suis arrêté à la première poste de l’État du pape, et l’avant-dernier jour de l’an je suis arrivé à Bologne allant me loger à l’auberge de S.t Marc. Je suis d’abord allé faire une visite au comte Marulli qui était chargé d’affaires de Florence pour le prier d’écrire à S. A. R. que partout où je me trouverais dans tout le reste de ma vie je célébrais ses vertus.
Il crut que je ne parlais pas comme je pensais, car il avait reçu une lettre qui l’informait de toute l’affaire : mais je lui ai dit que s’il savait tout il verrait que les obligations que j’avais à S. A. R. étaient essentielles. Il m’assura qu’il écrirait au prince de quelle façon je parlais de lui. [Casanova 2018, 1017]
[...] I departed Florence less rich by around 100 sequins; I had not had any expenses, at least I had lived frugally. I stopped at the first post of the Papal States and on the next-to-last day of the year arrived in Bologna, going to lodge at the inn of St. Marco. I first went to pay a visit to Count Marulli, who was chargé d’affaires for Florence, to beg him to write to His Royal Highness that wherever I found myself for the rest of my life I would celebrate his virtues.
He thought that I was not saying what I thought, for he had received a letter that informed him of the whole affair: but I told him that if he knew everything, he would see that the obligations I had to His Royal Highness were essential. He assured me that he would write to the prince of the manner in which I spoke of him.
As we know from Leopold’s travel notes, the Mozarts also lodged at St. Marco when they returned to Bologna between Jul and Oct 1770. They departed Bologna on 13 Oct, just two and a half months before Casanova’s arrival; this must count as one of history’s more notable near misses.
Marulli’s name occasionally appears in reports of visits to Bologna by members of the imperial family. In 1775, Joseph II made a whirlwind trip to Croatia and northern Italy, traveling (in Italy at least) incognito as Count Falkenstein, which allowed him to avoid the pomp and ceremony of an official state visit. He blew through Bologna on 27 Jun:
BOLOGNA 27. Giugno
Jeri verso il mezzogiorno passò di
qui S. M. l’Imperatore in strettissim. in-
cognito sotto nome di Conte Fal-
chenstein, e dopo aver pranzato nella
solita Locanda Imperiale del Pellegrino
ripartì immediatemente alla volta di Fer-
rara per imbarcarsi sul Pò, e passare
per acqua a Mestre. Non ha quì veduto
alcuno. Solamente il Conte Marulli Mi-
nistro di S. A. R. il Gran-Duca To-
scana, e Vice-Protettore per la Regia
Imperiale Corre di Vienna nel nazione
Alemanna ebbe l’onore di essere accolto
dalla M. S. e di farle la sua corte […]
[Notizie del mondo, no. 52, Sat, 2 Jul 1775, 413]
BOLOGNA 27 June.
Yesterday around midday, His Majesty
the Emperor passed very quickly through
here, traveling in strictest incognito under the
name of Count Falkenstein, and after having
dined at the usual Imperial Inn of Pellegrino,
he departed again immediately for Ferrara
to embark on the Po and to travel by water
to Mestre. He did not see anyone. Only
Count Marulli, Minister of His Royal
Highness the Grand Duke of Tuscany and
Vice-Protector of the Royal Imperial Court
of Vienna in the German Nation had the
honor to be received by His Majesty and
to pay him his court. [...]
Marulli was one of the beneficiaries of the lavish generosity of Archduke Maximilian Franz during the archduke’s brief visit to Bologna in Oct 1775:
BOLOGNA 25. Ottobre
Il Real Arciduca Massimiliano si è
degnato di far passare al Sig. Carlo Bor-
sini dell’Imperiale Albergo del Pellegri-
no per le particolari attenzioni pratica-
tegli zecchini cento in regalo, oltre d’
averlo generosamente soddisfatto.
Lunedì mattina questo Principe par-
tì per Modena dopo aver godute le Fe-
ste accennate nel passato Ordinario, e
con aver lasciato alla sala del Sig. Car-
dinale zecchini 20.; alla sala di S. E. Ma-
rulli zecchini 50.; alla sala del Vice-Le-
gato zecchini 20.; alla Specula zecchini
100.; alla Galleria Sampieri zecchini 6.;
ai Poveri zecchini 20.; a S. E. Marulli,
Quaranta Legnani, e Quaranta Barbazza
una tabacchiera d’oro per ciascuno[.]
Al Maestro di Posta di Bologna un oro-
logio d’oro con sua catena, e al Sig.
Antonio Filippo Fenzi di Firenze un
anello di brillanti &c.
[Notizie del mondo, no. 86, Sat, 28 Oct 1775, 626]
BOLOGNA 25 October
Royal Archduke Maximilian conde-
scended to have given to Signor Carlo
Borsini of the Imperial Inn of Pellegrino
a present of one hundred zecchini for
the special attentions shown to him, as
well as for having generously satisfied him.
Monday morning this Prince left for
Modena after having enjoyed the celebrations
mentioned in the last Ordinario, and having
left at the entrance hall of the Signor Cardinal
20 zecchini; at the entrance hall of His
Excellency Marulli 50 zecchini; at the entrance
hall of the Vice Legate 20 zecchini; at the
Specola [observatory] 100 zecchini; at the
Sampieri Gallery 6 zecchini; for the poor,
20 zecchini; to His Excellency Marulli,
Quaranta Legnani, and Quaranta Barbazza,
a gold snuffbox for each. To the postmaster
of Bologna a gold watch with its chain, and
to Signor Antonio Filippo Fenzi of Florence
a diamond ring, etc.
(“Quaranta” here seems to be another term for “Senator”; the Bolognese senate originally had forty members, although since 1590 the official number had been fifty. The references are probably to Count Girolamo Legnani Ferri (1721–1805), the husband of Girolama Boccadiferro, and to Marchese [Andrea?] Barbazza. Both Legnani and Barbazza were senators in Bologna.)
It may be that Firmian recommended the Mozarts to Marulli simply because Marulli was the highest imperial official in Bologna (at that time under papal control), and it may be that the Mozarts met Marulli only at Pallavicini’s concert on 26 Mar 1770. However, we cannot rule out the possibility that Marulli might have received them at his residence and perhaps even had Mozart perform there. There are hints that Marulli had an interest in music. On 9 Jan 1776 he held a concert for Archduchess Maria Christina and Prince Albert:
BOLOGNA 13. Gennajo.
Arrivarono quì la sera del dì 8., co-
me si accennò, verso la mezza notte le
LL. AA. RR. Arciduchessa Cristina, e
Duca Alberto. Tutto il giorno susseguen-
te del martedì l’impiegarono nel vedere
le rarità della Città, cioè le Chiese di
S. Pietro, S. Petronio, S. Salvadore, S.
Paolo, e S. Giovanni in Monte, le Scuo-
le, la Galleria Sampieri, S. Michele in Bo-
sco, gli Archi della Madonne di S. Luca,
e l’Istituto. Di prima sera furono a un
piccolo concerto di Musica in casa di
Sua Eccelleza il Sig. Conte Marulli [...]
[Notizie del mondo, no. 5, Tue, 16 Jan 1776, 38]
BOLOGNA 13 January.
As reported, on the evening of the
8th around midnight, Their Royal High-
nesses Archduchess Christina, and Duke
Albert arrived here. They made use of the
whole of the following day, Tuesday, to see
the rarities of the city, namely the churches
of San Pietro, San Petronio, San Salvadore,
San Paolo, and San Giovanni in Monte,
the Schools, the Sampieri Gallery, San
Michele in Bosco, the Sanctuary of the
Madonna di San Luca, and the Institute.
In the afternoon they went to a little
concert at the house of His Excellency
Count Marulli [...]
That same evening they made stops at the theater and the opera buffa. (The couple were in Italy to visit Maria Christina’s brother Grand Duke Leopold in Florence; see Wolf 1863, chapter 3.)
Six letters addressed to Marulli are found among the letters in Padre Martini’s collection in the Civico Museo Bibliografico Musicale in Bologna; all are using Marulli as a go-between with Martini. Four letters, all from 1777, are written by Domenico Caracciolo (1717–1789), ambassador of the Neapolitan court in Paris from 1771 to 1781 (Schnoebelen 1979, letters 948, 952, 954, and 955). In the first, dated 10 Mar 1777, Caracciolo asks Marulli to ask Martini and the secretary of the Accademia Filarmonica in Bologna to write letters in favor of Piccinni and Italian music, and thus against Gluck. Caracciolo reiterates the request in a letter to Marulli on 19 May 1777, then in a letter dated 2 Jun 1777 complains that Martini and the secretary of the Accademia are leaving him to defend Italian music in Paris by himself. Caracciolo’s letter of 23 Jun 1777 responds to a lost letter from Marulli; in it, Caracciolo writes that Martini and the secretary “are mistaken in thinking that the Gluckists are allied with the French” (Schnoebelen 1979, summary of letter 955). The other two letters addressed to Marulli in Martini’s collection are both from Prince Kaunitz in Vienna, both from early 1783; they have to do with sending the third volume of Martini’s Storia della musica to Kaunitz, who will present it to Emperor Joseph (Schnoebelen 1979, letters 2571 and 2572).
During his trip to Italy in 1783, Joseph II wrote to Count Rosenberg on 18 Dec from Bologna regarding the quality of the local singers, mentioning that he had spoken to Marulli:
Nous voici dans le Centre des Virtuosi à Boulogne, tout le monde se plaint du petit nombre des bons sujets et même M. Marulli veut mettre au rang des bonnes chanteuses la Mandini. [Payer von Thurn 1920, 37]
Here we are in the center of virtuosi in Bologna, and everyone complains of the small number of good candidates, and even M. Marulli wants to place La Mandini in the ranks of good singers.
(The reference is to Maria Mandini, a not particularly distinguished singer who had made her debut with the court theater in Vienna in May 1783, and later created the role of Marcellina in Mozart’s Le nozze di Figaro.)
None of this proves that Firmian recommended the Mozarts to Marulli because of the latter’s musical interests, but it may have been a factor.