Commentaries by Dexter Edge (148)
Mozart in Paris and his Sonatas, op. 1 (addendum)
An advertisement of Mozart’s Sonatas, op. 1 & op. 2 (K. 6–9)
A Berlin report on the Mozarts in Paris
Mozart in the Neueröffneter Historischer Bilder-Saal
The earliest known advertisement of the Delafosse engraving of Carmontelle’s portrait of the Mozarts (addendum)
A Dutch report on Mozart in London (addendum)
A Hummel advertisement for Mozart’s op. 2
The first Dutch edition of Leopold Mozart’s Versuch einer gründlichen Violinschule (7 documents)
A Concert with Manzoli at Lady Clive’s
Elizabeth Harris buys a ticket for a concert by the Mozarts
Defending the truth of Mozart’s age
A performance by Wolfgang and Nannerl Mozart in Calais
The Mozarts in Dunkirk
A report of Mozart’s performance for Prince William V (addendum)
A report of Mozart’s performance in The Hague
Mozart’s organ contest with Bachmann
Mozart conducting Die Schuldigkeit des ersten Gebots
Ortes to Hasse on the Mozarts
Count Georg von Arco’s letter of recommendation for the Mozarts
Count Domenico Lodron’s letter of recommendation for the Mozarts
Ottaviano Dionisi on Mozart in Verona
Mozart and Count Firmian (Firmian’s letter of recommendation to Prince Doria Pamphilj)
Count Firmian responds to Count Marulli regarding Mozart
Burney and Mozart in Bologna (correction)
Giovenale Sacchi on Mozart the prodigy
Princess Maria Beatrice d’Este attends Mitridate
Count Firmian recommends Mozart to Count Lascaris di Castellar
On the reception of Mitridate
Carlo Flaminio Raiberti to Antonio Greppi on a scrittura for Mozart in Turin
Count Firmian names Mozart as composer of the serenata for the wedding of Archduke Ferdinand and Princess Maria Beatrice d’Este
Gradenigo on Mozart in Venice
Mozart and the Davies sisters (Ortes to Hasse, addendum)
Count Firmian to Count Salazar on Mozart and the wedding serenata
Count Firmian to Count Sporck on Mozart’s serenata
Count Firmian to Parini on Mozart’s serenata
Barrington’s report on Mozart reprinted in a South Carolina newspaper
Count Rogendorf on Ascanio in Alba
Linley and Mozart as “the most promising geniusses of this age” (addendum)
Francesco Galoardi visits the Mozarts in Salzburg
Countess Antonia von Lodron to Count Wolkenstein
Richard Griffith on Mozart as prodigy
Mozart’s choruses for Thamos, König in Ägypten
Hugh Elliot on La finta giardiniera in Munich
Johann Böhm and Die verstellte Gärtnerin in Augsburg
An early report on Idomeneo
Zinzendorf hears Mozart on violin
Emperor Joseph II and Grand Duchess Maria Fyodorovna wager on the Mozart-Clementi duel
Samuel Wesley gives his opinion of Mozart’s music
A review of Artaria’s edition of Mozart’s op. 2 (addendum)
The Count and Countess of the North at Die Entführung aus dem Serail
Joseph II on the Mozart-Clementi duel (addendum)
Louise von Diede plays Mozart and Bach at Countess Oeynhausen’s
Mozart in a musical almanac (addendum)
The premiere of Die Entführung aus dem Serail in Strasbourg
Mozart’s academy in the Burgtheater (addendum)
Mozart listed among composers of keyboard concertos for sale
The premiere of Die Entführung aus dem Serail in Warsaw
The premiere of Die Entführung aus dem Serail in Bonn
The premiere of Die Entführung aus dem Serail in Frankfurt am Main
The premiere of Die Entführung aus dem Serail in Leipzig
Porwanie z seraju (Die Entführung aus dem Serail) in Warsaw
Mozart as imagined composer for a melodrama on Prometheus Bound
The Mannheim premiere of Die Entführung aus dem Serail
Lausch advertises 6 Mozart keyboard concertos
Lausch advertises Die Entführung aus dem Serail for Harmonie
Box-office receipts from Die Entführung aus dem Serail in the Kärntnertortheater
Paisiello and Idomeneo
Ludwig Fischer sings Osmin in Mannheim
Ludwig Fischer sings Osmin in Frankfurt
A report on the Viennese premiere of La villanella rapita
Countess Hatzfeld sings Elettra’s “Tutte nel cor vi sento” in Bonn
A report on concerts of the Viennese Tonkünstler-Societät (addendum)
La villanella rapita in Vienna
Idomeneo at Prince Auersperg’s
Hugo von Hatzfeld writes to Großmann regarding Idomeneo
Mozart’s academy in the Kärntnertortheater (addendum)
A report on the premiere of Le nozze di Figaro
A report on the premiere of Le nozze di Figaro
A report on the limitation of operatic encores in the court theaters
On the reception of Le nozze di Figaro in Vienna (addendum)
Le nozze di Figaro at Laxenburg
A piano sonata by Mozart on a concert in Philadelphia
Mozart’s invitation to Prague
The source for Mozart’s entry in Kronauer’s Stammbuch
Joachim Perinet and 'Mozarts Fortepiano'
A notice of Leopold Mozart’s death
Le nozze di Figaro in Prague (addendum)
Intrigues against Idomeneo in Munich (1780–1781)
A reference to Figaro in the novel Das Leben eines Lüderlichen (spurious document)
A reference to Mozart in Kaffka’s Sechs Freyer und keine Braut
Anton Grams advertises Don Giovanni
Figaro in Lübeck (spurious document)
Preisler hears Josepha Hortensia Müller play sonatas by Mozart and Auernhammer
A comparison with Mozart in a review of four-hand sonatas by Baron Münchhausen
Lausch advertises Le nozze di Figaro for Harmonie
A review of the first Viennese revival of Le nozze di Figaro
A piece by Mozart on a concert in New York City
A review of the premiere of Don Giovanni in Bonn
Freystädtler advertises his Die Belagerung Belgrads with an endorsement from Mozart
The premiere of Die Hochzeit des Figaro in Bonn
A reference to Mozart in Kotzebue’s Menschenhaß und Reue
Mozart in a list of a composers whose music is suitable for practice on the organ
The Keilholz sisters in Die Entführung aus dem Serail and Don Juan in Mannheim
Lausch advertises “Nun liebes Schätzchen” from Der Stein der Weisen
The premiere of Die Hochzeit des Figaro in Mannheim
An overlooked reference to Mozart in Böcklin’s Beyträge zur Geschichte der Musik (addendum)
The Habsburg court and guests attend Le nozze di Figaro
The Habsburg court and guests attend Der Stein der Weisen
A 'piano sonata' by Mozart in Jünger’s Er mengt sich in Alles
Johann Friedrich Jünger asks Mozart for a keyboard piece
Schröder and Kotzebue at the premiere of Liebe und Versuchung (Così fan tutte) in Frankfurt
Josepha Beck sings an aria from Die Entführung aus dem Serail for Schröder
Walburga Willmann as a student of Mozart
Die Entführung aus dem Serail at the Thurn und Taxis court in Dischingen
The earliest published report on the premiere of Die Zauberflöte
Mozart is awarded the third receipts from Die Zauberflöte
An early report on Die Zauberflöte (addendum)
Mozart mentioned in a review of Sarti’s Le gelosie villane
Review of Don Juan in the Nationaltheater in Berlin (addendum)
Reference to Mozart in a review of keyboard variations by Joseph Augustin Gürrlich
Mozart in a review of Clementi’s Sonatas op. 23
On the reception of La clemenza di Tito in Prague
‘Das vortrefliche Singspiel’ Die Entführung aus dem Serail in Regensburg
Mozart as a model for the use of wind instruments
A reference to Mozart’s symphonic minuets
The earliest dated report of Mozart’s death
Two French reports of Mozart’s death
A report of Mozart’s death
A notice of Mozart’s death in Schubart’s Chronik
Notices of Mozart’s death in various English periodicals
References to Mozart's death in German newspapers
A reference to Mozart in Frambach’s play Menschenwerth
Mozart as a leading composer and “bewunderungswürdiger” pianist (I)
Mozart as a leading composer and “bewunderungswürdiger” pianist (II)
Mozart in a review of Bibliothek der Grazien, 2. Jahrgang
A memorial concert for Mozart in Kassel (addendum)
Review of Mozart variations, K. 359 & K. 455
A memorial concert for Mozart in Hamburg
A personal response to the Mozart memorial concert in Hamburg and the Symphony in E-flat, K. 543
Mozart symphonies performed in Berlin concerts
Bernhard Wessely’s cantata Mozarts Urne at a memorial concert for Mozart in Berlin (addendum)
Bernhard Wessely, subscription for Mozarts Urne
Die Zauberflöte in preparation for Frankfurt
The earliest known performance of Die Zauberflöte outside Vienna
The improvement of the orchestra of the Nationaltheater in Berlin under Wessely (with reference to Figaro)
The premiere of Die Zauberflöte in Prague
Bernhard Wessely reviews Mozart’s Eine machts wie die andre (Così fan tutte)
Mozart in a fanciful list of musical works